Jun 27 2012

We shall defend our islands, whatever the cost may be.

I finally saw Iron Maiden tonight. They tour only every other year, and they play the humongous venues that foment irritation. So, I’ve never been.

Sea of Madness

But they are not going to be playing or living forever, so you really should see them. I’m glad I did. Despite the many obstacles to my enjoyment I hit en route to Maiden’s performance, I ended up having an ecstatic time.

They were spotlighting stuff from Seventh Son of a Seventh Son, which is not my favorite Maiden album. Yet they totally sold all these long-ass progressive ragas just on the power of their sound, which is very vivid and very robust live. They made me believe that anything would sound good coming out of them.

I can’t recite a set list, but here’s the songs I remember them playing, in approximate order:
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Mar 13 2011

Party wreckers!

I was just listening to an episode of the WTF Podcast with Marc Maron (which I discovered via the Salad Days guys) in which he’s talking about the Oscars and the Golden Globes. Apparently, Ricky Gervais hosted the Golden Globes and pissed the audience off. Maron likes these award shows for reasons he explains in the podcast, so he hated it.

To me, however, it sounded awesome. Not awesome enough for me to dig up and sit through an awards show just to see Gervais giving Hollywood what’s for, though. But awesome enough for me to imagine it and go “Yes!”

This is an example of party wrecking: When some guys show up at a party to unleash some sort of honest expression, leaving the party shocked and dismayed. The party wrecker receives little support from the people physically present. Yet they continue their wrecking!

I love seeing a party wrecked. Of course, that depends on me not liking the party, or at least feeling that the party could stand to have its bubble burst.

Hearing about the Gervais thing, I recalled other party wrecking incidents. I know what I described above sounds like people just being assholes, but check these out, and see if they don’t make you think “Hell, yeah!”
 

The KLF at the BRIT Awards

The KLF built a career on formulaically safe music. So formulaic, in fact, that they wrote a detailed manual on how to make it. They knew they were making music whose prime characteristic was that chumps could easily digest it.
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Dec 2 2010

The making of the album

I recently participated in Hometaping. Hometaping is one of those “do something in a month” projects. It’s like National Novel Writing Month, in that it’s held in November, and like RPM, in that it’s about making an album. I attempted this last year and failed, although I did get one song out of it, which is one more than I would have written otherwise.

This year, I finished a group of songs that could arguably called an album. You can stream or download it here.
 

It’s only 19 minutes, but there’s seven fairly complete songs. And in the process of writing these songs, I did a handful of improvisations that were fun, even if not all of them made it on the album. (Two of them did.) I didn’t complete every song I started, either, but I did beat the expectations I had at the beginning of the month.

While making this album, I learned a lot of things! According to this guy, life is essentially about three things: Living, loving, and learning. So, I think we can all agree: It is fairly good that I learned.

A lot of what I learned I already knew. (And a lot of what I learned, you already knew.) As strange as that may sound, knowing isn’t the same as learning. Often, learning is not an on/off kind of thing. Some people read about something and instantly absorb it. Not me, though. I usually have to bump into the problem that the solution solves and flail at it uselessly in my own way before accepting the solution.
 

So. These things I learned (again) while making this album, and I was glad to learn them!
 

1. Even though I don’t listen to albums as albums very much any more, albums as a unit of work are still useful.

I tend to give a new album one or two listens. After that, its songs are absorbed into my sea of music and will pop up at random, disassociated with its album-mates. Every so often, I will hear a song on shuffle, then seek the album. But even then, I might not listen to them in order. I know some people that do still listen to music as albums, but with the way Kids These Days are going, the concept of the album as unit of art to be consumed as a whole is going to find less and less purchase.

As a unit of work, however, I find the album to still be a strong idea. I’m accustomed to working on one song at a time. During the making of this album, there was some very useful momentum. I didn’t have to warm up. Buying in bulk is good stuff, even in music writing, it seems. I ended up with 7+ songs.

Here’s the number of songs I’ve made each year. (This chart leaves off the many, many noise improvisations I did around 2003.)

Chart
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